“When you know someone by name, you give them more value.” -Daniel J. in the Mobile Soup Kitchen story that we created for Laity Sunday at Oak Grove UMC to highlight the work of Lay people and volunteers.
I’m honored and proud to have helped share this story through film.
To get involved:
Thurs 1pm: Sandwich Making in Oak Grove Fellowship Hall
Friday 11:45am: Mobile Soup delivery beings at Oak Grove Kitchen and goes to Mercy Community Church on Ponce at ~12:15/30pm — contact Virginia Sowell at email@example.com.
Thank you Daniel, Virginia, & friends for sharing this remarkable story of mutualistically encountering welcome, kindness, & Jesus through the work of the wonderful community and people at Mercy Community Church and Oak Grove UMC.
// Music is “Human Qualities” by Explosions In The Sky.
#church #community #ponceyhighlands #Ponce #virginiahighlands #ATL #ngumc #film #story #homelessness #housing #feeding #mercycommunitychurch #umc #dslr #cinematography #canon
“Why Stand So Far Away My God” — my homily in the aftermath of the Las Vegas shooting and devastation in Puerto Rico — with musical selections of “Why Stand So Far Away MY God” (Ruth Duck) and Prayer of St. Francis (Trinity Anglican) with Atticus Hicks. The homily was given on Oct 8th, 2017 at the MidWeek Communion Service (Weds at 5pm) at Oak Grove United Methodist Church (ogumc.org).
Our continued prayers with the people of Las Vegas and Puerto Rico and friends Glen and Bill and their teams serving and working there.
chords & lyrics:
Why Stand So Far Away My God (fws 2180) by Ruth Duck
Prayer of St Francis (G) by Trinity Anglican
“There’s something about kids and how they can make us stop in our tracks…a child changes our perceptions of a scenario or situation….”
This was a difficult sermon/homily to write in light of the ongoing crises in our world and how they disproportionately affect vulnerable people groups and children. This is my Homily/Sermon from this past Weds Night Worship on Mark 9:30-37 at Emory Wesley Fellowship, the United Methodist Campus Ministry at Emory University in Atlanta, GA on 2015.09.16.
Orientation Video 2012: Students sharing about the importance of Emory Wesley Fellowship, the United Methodist Campus Ministry at Emory University.
Here is the quick video introduction to Emory Wesley Fellowship, the United Methodist Campus Ministry at Emory University: (students on Facebook here || Twitter here || Alumni, friends, parents, supporters FB page
music: “Festival” by Sigur Ros used under fair use regulations and this statement by the band: http://www.sigur-ros.co.uk/banda/faq.php#13
This is not a hymn that provides answers about how Christ is present and God’s grace is conveyed, but simply marvels that grace is indeed given…
“O the Depth of Love Divine” was written in 1745 by Charles Wesley as a poem/hymn describing how God’s grace is available and given to all people through Holy Communion in the Christian Tradition. This is not a hymn that provides answers about how Christ is present and God’s grace is conveyed, but simply marvels that grace is indeed given. In the United Methodist tradition we practice “open communion”–meaning ALL people are welcome at God’s table and that God’s grace is made available and tangible to all.
Charles and his brother John Wesley were the founders of the renewal movement in the Anglican Church that eventually became the Methodist Church. This is my own setting of the hymn, but you can find Carlton Young‘s (famous arranger of hymns & the hymnal) setting of “O the Depth of Love Divine” in the United Methodist Hymnal #627.
Lent is one of those seasons where the phrase “Lord Have Mercy” may get a good bit of usage in worship…
As we move into the season of Lent in the Christian liturgical calendar (a season of preparation, reflection, and spiritual growth) it is good for us to look to Jesus’ time spent in the wilderness being tempted (Matthew 4:1-11) and times in our own lives where things have been difficult. The point of Lent (http://en.wikipedia.org/wiki/Lent) for those who observe it is not necessarily to “give something up” for 40 something days, but perhaps to take on a spiritual practice that helps us realize our need for God’s grace. Many people take time to give to the poor, volunteer, pray, and reflect upon their priorities in life.
Liturgically speaking, Lent leads up to Holy Week where Jesus will suffer and die for the sins of all people–and then Easter and the Resurrection of Jesus. BUT, many people seem to get ahead of themselves and go directly to Easter–Lent is a time to literally “sit in the ashes” and is an appropriate time to contemplate the difficulties in our lives and the lives of others. Lent is not a time of introspection and evaluation to the point of “analysis paralysis” or the loss of self worth, but rather it is a time for reflection and spiritual growth.
The phrase “Lord Have Mercy” now, as in ancient times, often expresses all that we can really say in difficult seasons and situations in life. Lent is one of those seasons where the phrase “Lord Have Mercy” may get a good bit of usage in worship. The song “Kyrie (Lord Have Mercy)” comes from an ancient tradition of sung prayer as found in Psalms, Isaiah, and in the Gospels of Matthew, Mark, & Luke. The Ancient Greek words “kyrie eleison” mean “Lord have mercy” and were used as a prayer in times when we don’t know what to say–times when we can only say “Lord, have mercy.”
This is my interpretation of the Kyrie and its debut performance was in February 2011 at “The Composes Concert” sponsored by Sacred Artistry and the Office of Religious Life at Emory University.
“Lord have mercy, have mercy on me
help me be the things you want me to be
help me see the things you want me to see
Lord have mercy, Lord have mercy on me”
words and music copyright by Joseph McBrayer 2010
a great setting of the Lord’s prayer by singer/songwriter Matt Maher
The lyrics of this song come from Psalm 40 (sing a new song) and Matthew 6 (the Lord’s prayer) as penned by Catholic singer/songwriter Matt Maher (http://mattmahermusic.com) in collaboration with Ed Cash (accomplished singer/songwriter/songcompleter in the christian music/worship realm).
In the process of writing and rewriting this song, Maher writes that he hopes that this song can be one that emphasizes the unity of the Christian faith as all traditions utilize some form of the Lord’s prayer as found in the Sermon on the Mount in Matthew 5-7.
It gives me hope for the future of church music (and the church) when worship leaders and musicians use ancient words with modern arrangements that have such a high degree of liturgical and practical significance–such as this song. This gives me hope–hope that the Church can move beyond the extremes of traditionalism (tradition for its own sake) and the misunderstanding/denial of traditions & people who have come before us. I have hope that the Church can continue to express the Christian faith in ways that embrace the ancient, liturgical, & traditional elements of our past while engaging with the modern/post-modern/future elements of our current cultural climate and our contextual understanding of Christianity. Music and worship like what Matt Maher and Marty Reardon (see post below) are doing is giving deeper context and meaning to ancient liturgical words and practices that enable people to gain a deeper understanding of the Christian faith and tradition. May others continue to do so.
Maher is also the author of the popular song “Your Grace is Enough.” One of my favorites from the album “Alive Again” is a deep, meaningful, & liturgical song: “Christ is Risen From the Dead”, which uses the Eastern Orthodox phrase from the Pascha (Easter) “Christ is risen from the dead/trampling over death by death.” It will likely show up here later this liturgical year.